The Boston Globe attempts to explain why we loathe the mullet.
At this point, it’s fair to say that the mullet is as reviled as a hairstyle can possibly be. Any doubt was erased last week, when Iran’s move to ban the ’do earned the member of the axis of evil not its usual international condemnation but a PR boost.
As New York comedian Ophira Eisenberg observed: “I am not a fan of any government giving guidelines on how people can look, but when I read that Iran banned the mullet I thought, finally, they are doing something right.’’
The mullet and a number of other styles got snipped for being “decadent,’’ but with all due respect to Iran’s culture ministry, that’s not the hairstyle’s only problem. Why does the mullet elicit such loathing? Perhaps it’s the haircut’s creepy, suggestive slogan: Business in front, party in the back. Heh, heh, heh. Or the in-your-face attitude of its devotees.

Monday Mullets - Former Red Sox pitcher Dennis Eckersley (left) and Full-House star John Stamos (right) were well known for their mullets.
Short on top, long in the back, the mullet has been worn by beloved pop culture figures from the Sphinx to Paul McCartney to Florence Henderson. A style staple throughout history, it exploded in popularity in the 1980s, sucking in everyone from Bono to Steve Perry of Journey to ninth grade boys across the US. The mullet is not without practical uses: It allows nice visibility under, say, a helmet, while shading the neck from the sun. Nevertheless, the mullet years ago turned into the red rubber nose of the coiffure world.
And not an appealing one, according to Tom Connolly, an English professor at Suffolk University and a pop culture commentator. “There is such an aggressive/humble arrogance that goes with it: ‘I’m just a country boy — do you want to go out with me?’ ’’
“It’s not a haircut,’’ Eisenberg quips, “it’s a lifestyle.’’