Cuddling Corpses for political gain, Ctd

Yesterday it was Grant Robertson that jumped on the death of an indigent man to score a political point about “poverty”.

This morning it is Jacinda Ardern who is cuddling corpses to score political points.

Labour has reiterated its call for a cross-party approach to fighting child abuse following the death of two-month-old Hinekawa Topia.

…Labour’s social development spokeswoman Jacinda Ardern said she did not want to comment specifically on Hinekawa’s case while the investigation was continuing, but speaking broadly about the issue of child abuse, she reiterated Labour’s call for more cooperation across Parliament to tackle the problem.

“We know that our child abuse stats in New Zealand are appalling, we know we have an enormous issue that we need to be dealing with. I don’t believe we need another inquiry to tell us what we already know, we need action.”

The Government announced last year that it would set up a ministerial committee to look at the issue of child poverty, and Ms Ardern said with poverty and abuse being so inter-linked, the group could be an opportunity for parties to work together.

“We’ve asked the Government to allow us to be a part of that group … as yet the Government hasn’t taken us up on that offer but we’ll keep making it,” Ms Ardern said.

Labour doesn’t want to talk about the individual case, they simply want to use the case for an excuse to try and embarrass the government into let them come along in a “me too” capacity on a committee. That isn’t going to address the issue of Maori killing their kids now is it?

Labour really are shameless. They don’t care about the issues, they are simply trying to score points against the government. In doing so though they are trying to lay the blame of child murders at their feet which is shameless politicking using dead people.

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As much at home writing editorials as being the subject of them, Cam has won awards, including the Canon Media Award for his work on the Len Brown/Bevan Chuang story. When he’s not creating the news, he tends to be in it, with protagonists using the courts, media and social media to deliver financial as well as death threats.

They say that news is something that someone, somewhere, wants kept quiet. Cam Slater doesn’t do quiet and, as a result, he is a polarising, controversial but highly effective journalist who takes no prisoners.

He is fearless in his pursuit of a story.

Love him or loathe him, you can’t ignore him.

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