Labour’s Kodak moment

Chris Trotter writes that Labour is yet to have it’s “Kodachrome Moment”:

My friend, the photographer and artist, Barry Thomas, reckons the manufacturers of Kodachrome and the New Zealand Labour Party have a lot in common. Both were once at the cutting edge. Both had something to sell which masses of people were happy to buy. And both, by failing to keep pace with a rapidly changing world, have seen the power of their “brand” dwindle and fade.

Ouch, Trotter isn’t holding back:

Mention Labour in 2012 and most New Zealanders will struggle to conjure-up any images at all, apart from a succession of vaguely recognisable faces and a sorry string of embarrassing headlines.

The Labour Party Opposition should be in the business of displaying courage, thinking the unthinkable, searching for the root causes of the nation’s problems and coming up with solutions that require the voters to discard their prejudices, step away from past failures, and take the risk of committing themselves to something new.

A successful Opposition doesn’t waste time attacking the Government, it devotes itself to enlisting the electorate in a great adventure.

If a vote for Labour is anything less than a decision to join that great adventure then the party will share the fate of Eastman-Kodak. It neglected its core business: preserving people’s memories. Labour’s core business, in 2012, must be stimulating New Zealanders’ imagination.

Using digital, colour, and, if necessary, black-and-white.

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As much at home writing editorials as being the subject of them, Cam has won awards, including the Canon Media Award for his work on the Len Brown/Bevan Chuang story.  And when he’s not creating the news, he tends to be in it, with protagonists using the courts, media and social media to deliver financial as well as death threats.

They say that news is something that someone, somewhere, wants kept quiet.   Cam Slater doesn’t do quiet, and as a result he is a polarising, controversial but highly effective journalist that takes no prisoners.

He is fearless in his pursuit of a story.

Love him or loathe him.  But you can’t ignore him.