Labour all over the world make shit up and lie about people

The Telegraph

…and lose in court:

I have today received an apology in the High Court for false and defamatory statements made about me by Ken Livingstone in his recent autobiography, You Can’t Say That. Other redress has also been agreed. Presumably to save face, Ken’s side insisted that this remain confidential.

In the book, reviewed here, Ken wrote that I was “shown the door” by my previous employer, the Evening Standard, after writing “lies” about the allocation of grants by his administration and the behaviour of his race adviser, Lee Jasper. Ken also claimed that the Standard had repudiated my stories in editorials which “said there had been no corruption or cronyism at City Hall.”

Alas, it wasn’t me who was lying. As the Standard said in its own review of the book,  I wasn’t “shown the door.” I left of my own volition to join the Telegraph. No such editorials were printed. The stories won the top award in British print journalism that year and remain available on the paper’s website. Like this one, for instance, which triggered Jasper’s resignation after I revealed that he had channelled vast sums of money, for no clear purpose, to organisations run by a woman he secretly wanted to “honey glaze.” Ken has never been able to challenge a single word that I actually wrote, as opposed to the various misrepresentations of it that he has made.

I started a claim for libel and this afternoon came the inevitable end – a statement in open court by the publishers of You Can’t Say That, apologising for Ken’s lies. It’s not the first time the majesty of the law has extracted that which no mortal hand can manage. A couple of years ago,humble pie was served courtesy of the former Tower Hamlets leader, Michael Keith, who got damages for being called an “Islamophobe” by Ken.


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As much at home writing editorials as being the subject of them, Cam has won awards, including the Canon Media Award for his work on the Len Brown/Bevan Chuang story.  And when he’s not creating the news, he tends to be in it, with protagonists using the courts, media and social media to deliver financial as well as death threats.

They say that news is something that someone, somewhere, wants kept quiet.   Cam Slater doesn’t do quiet, and as a result he is a polarising, controversial but highly effective journalist that takes no prisoners.

He is fearless in his pursuit of a story.

Love him or loathe him.  But you can’t ignore him.

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