Tough but Accurate

Far be it for me to say what has been cogently written at The Standard about why Labour is in trouble. It is tough but accurate, and for once the Labour fanbois at Lynn Prentice’s hate speech blog are awakening to the truth about the Labour party. I will enjoy watching them turn on themselves.

They can hardly blame John Pagani this time around…perhaps the mist has been wiped from the mirror?

Unfortunately I don’t think the latest Roy Morgan is a rogue poll. But I also don’t think that it’s the result of David Shearer’s GCSB fiasco as the electorate doesn’t tend to make up its mind on single issues.

Rather, I think that the electorate has simply run out of patience with Labour. As has been pointed out time and time again, politics is about narratives – about finding a positive story about your own brand and a negative one about you opponent and punctuating these stories with example again and again and again. And yet Labour’s “top teams”, both under Goff and under Shearer, have repeated failed to grasp that very simple fact.

So in four years we’ve not seen any consistency either in how they have opposed the government or how they have promoted themselves. Instead we’ve seen four years of disparate silver bullet PR fiascos ranging from dying Phil Goff’s hair and sticking him on a motor bike, to ill-timed blairite triangulation attempts such as David Shearer’s bene on a roof speech, to desperate and self-defeating attacks such as the gcsb debacle and the backstabbing of their own colleagues and staff members.

And to make matters worse this absolute lack of strategy has been punctuated with own goals like Trevor Mallard’s ticket scalping, David Shearer setting the Auditor General on one of his own Senior MPs, Trevor Mallard’s offensive facebook postings, Shane Jones’ transparent lobbying for his donor, Trevor Mallard’s ill-judged bike race with the internet’s village idiot, various MPs’ twitter outbursts, Trevor Mallard’s obsession with David Farrar, various frontbenchers’ failure to attain profile, Trevor Mallard’s… well you get the idea. In short they’ve inadvertently allowed a narrative to form that they’re not a competent government in waiting at all.

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As much at home writing editorials as being the subject of them, Cam has won awards, including the Canon Media Award for his work on the Len Brown/Bevan Chuang story.  And when he’s not creating the news, he tends to be in it, with protagonists using the courts, media and social media to deliver financial as well as death threats.

They say that news is something that someone, somewhere, wants kept quiet.   Cam Slater doesn’t do quiet, and as a result he is a polarising, controversial but highly effective journalist that takes no prisoners.

He is fearless in his pursuit of a story.

Love him or loathe him.  But you can’t ignore him.