Is this who Winston Peters modeled New Zealand First on?

Winston Peters is one of New Zealand’s slimiest politicians, he is a corrupting influence on the body politic and an un-reconstituted Muldoonist.

But Winston had to have  go his ideas from somewhere…perhaps it was from Canada:

The Parti Rhinocéros, commonly known as the Rhinoceros Party in English, was a registered political party in Canada from the 1960s to the 1990s. Operating within the tradition of political satire, the Rhinoceros Party’s basic credo, their so-called primal promise, was “a promise to keep none of our promises.”  They then promised outlandishly impossible schemes designed to amuse and entertain the voting public. 

The Rhinos were started in 1963 by Jacques Ferron, “Éminence de la Grande Corne du parti Rhinocéros”. In the 1970s, a group of artists joined the party and created a comedic political platform to contest the federal election. Ferron (1979), poet Gaston Miron (1972) and singer Michel Rivard (1980) ran against Prime MinisterPierre Trudeau in his Montreal seat.

The party claimed to be the spiritual descendants of Cacareco, a Brazilian rhinoceros who was elected member of São Paulo’s city council in 1958, and listedCornelius the First, a rhinoceros from the Granby Zoo, east of Montreal, as its leader. It declared that the rhinoceros was an appropriate symbol for a political party since politicians, by nature, are “thick-skinned, slow-moving, dim-witted, can move fast as hell when in danger, and have large, hairy horns growing out of the middle of their faces.”

Unfortunately there are some amongst National who think Winston Peters can be rehabilitated. I am not one of those people. National should refuse to enter any government propped up by Winston Peters.

I am sure Cream wrote the song Politician just for Winston Peters:


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As much at home writing editorials as being the subject of them, Cam has won awards, including the Canon Media Award for his work on the Len Brown/Bevan Chuang story. When he’s not creating the news, he tends to be in it, with protagonists using the courts, media and social media to deliver financial as well as death threats.

They say that news is something that someone, somewhere, wants kept quiet. Cam Slater doesn’t do quiet and, as a result, he is a polarising, controversial but highly effective journalist who takes no prisoners.

He is fearless in his pursuit of a story.

Love him or loathe him, you can’t ignore him.

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