Fat bastard seats planned for Airbus

It looks like Airbus is about to provide a re-configuration for airlines wanting to have fat bastard seats:

The aisle seat is the preferred location for fat bastard seats.

The aisle seat is the preferred location for fat bastard seats.

The lack of space on flights has long been a bugbear of British holidaymakers. But now the majority of passengers face aeroplanes with even less wiggle room after manufacturers announced plans to shrink two thirds of seats to make space for overweight travellers.

Window and centre seats on Airbus planes could lose an inch of width while extra-wide seats may be installed to accommodate passengers who are too big to fit in normal sized chairs.

Airbus is offering the option of the extra-wide seats, which will be installed only as aisle seats, on A320 jets to accommodate what it describes as “trends in demographics”.

The larger seats will be 20 inches across instead of 18 inches – the standard width – and will cost more than the regular seats. 

Good, that means there will be a fat bastard flight tax in place simply by virtue of booking the fatty seats.

Stefanie Von Linstow, Airbus aircraft interiors marketing manager, told aviation website Flightglobal: “Passengers in the window seat are already happy and those in the centre seat might not be willing to pay as much for the extra width.

“The aisle seat seems the most attractive for the concept.”

However, a survey by the Skyscanner website last year revealed 80 per cent of UK passengers were against the idea of losing space to accommodate overweight travellers.

The plans come weeks after Samoa Air announced it will become the world’s first airline to charge passengers by their weight rather than per seat.

Still no one gets Samoa Air fly prop diven 8 seater aircraft…they need to charge by weight.


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As much at home writing editorials as being the subject of them, Cam has won awards, including the Canon Media Award for his work on the Len Brown/Bevan Chuang story. When he’s not creating the news, he tends to be in it, with protagonists using the courts, media and social media to deliver financial as well as death threats.

They say that news is something that someone, somewhere, wants kept quiet. Cam Slater doesn’t do quiet and, as a result, he is a polarising, controversial but highly effective journalist who takes no prisoners.

He is fearless in his pursuit of a story.

Love him or loathe him, you can’t ignore him.

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