The ugly reality of alternative energy

The Green Taliban blight spreads over the world like a cancer.  Hideous wind farms despoil the horizon; inefficient and ugly solar panels carpet the ground, the Amazon forests are levelled and burned so that green troughers can suck up biofuel subsidies and starve the poor.

Has there ever been a greater threat to the environment?

Row after row, this astonishing array of solar panels has completely engulfed an enormous 30-acre field in the heart of the countryside.

As this aerial photograph reveals, acres of beautiful Hampshire countryside have been blighted as a result, by 18,000 solar panels.

The solar farm covers a staggering 30 acres of land creating a massive eyesore in the centre of an otherwise picturesque view.

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Solar farms like this one have sprung up in recent years as farmers collect up to £50,000 a year in green subsidies – this site is made up of 18,000 solar PV panels, mounted on nine kilometres of frames using 5,000 ground screws

Photographer Tim Woodcock, 54, captured the image from a helicopter while flying more than 1,000ft above the solar array near Fawley.

The energy saving farm on the Cadland Estate uses photo-voltaic panels to produce five megawatts of power.

‘Many of these alternative energy sources are manufactured abroad, in China, for example.

‘It is very easy to say that a system is ‘green’ when all the energy and environmental damage and cost is made elsewhere.’

He added: ‘Obviously there is a lot of interest in alternative forms of energy. But the question remains how many of these will actually provide a real alternative to fossil fuels – so far, very few.

‘No one seems to have the courage to tell the truth about energy alternatives.’

The solar panel farm, which is the size of 18 football pitches, is one of the largest of its kind in Britain and took just four weeks to construct.

It is made of 18,000 solar PV panels, mounted on nine kilometres of frames using 5,000 ground screws.


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As much at home writing editorials as being the subject of them, Cam has won awards, including the Canon Media Award for his work on the Len Brown/Bevan Chuang story.  And when he’s not creating the news, he tends to be in it, with protagonists using the courts, media and social media to deliver financial as well as death threats.

They say that news is something that someone, somewhere, wants kept quiet.   Cam Slater doesn’t do quiet, and as a result he is a polarising, controversial but highly effective journalist that takes no prisoners.

He is fearless in his pursuit of a story.

Love him or loathe him.  But you can’t ignore him.

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