As night follows day

As I portended in my article on the drought yesterday, the probability of the electricity generators threatening price increases and famers going on the bludge is more or less one.

Hydro lake levels are falling and wholesale power prices rising as drought threatens in parts of the country.

The country’s biggest hydro generator, Meridian, said its Lake Pukaki storage was just below average, at 94 per cent, and Lakes Manapouri and Te Anau were in the middle of the main normal range.

“We are comfortable with the current situation. As always, we are keeping a close eye on conditions,” a spokesman said.

Meridian’s operating report for December shows its inflows last month were 81 per cent of average.

In its main Waitaki catchment, storage dropped from 99 per cent of average to 91 per cent during the month. Inland eastern areas of the South Island have been particularly dry.

Mighty River Power said that while industry-wide national storage was 93 per cent of average, storage at Lake Taupo, which feeds its Waikato River network of stations, was above average.

Transpower has oversight of the electricity system and says that while there had been a fall in storage to below average in the South Island, the risk of shortages over the next eight to 10 weeks remains low.

Let’s recap:  wholesale prices are rising because of the drought, yet the lakes are all just a smidgen below average, and the big bosses are all ‘comfortable’.

With a lake at 9% under average, they are “predicting” big trouble 10 weeeks from now.  10 weeks, because two and a half months sounds too long, and that nearly takes us into April.

There is exactly zero need to put electricity prices up.

At the same time the climate alarmists are all moaning about the drought, but last week they were moaning about dairy prices slumping because of global warming.  What do you think will happen to dairy prices if the drought continues?

 

– Grant Bradley, NZ Herald


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As much at home writing editorials as being the subject of them, Cam has won awards, including the Canon Media Award for his work on the Len Brown/Bevan Chuang story. When he’s not creating the news, he tends to be in it, with protagonists using the courts, media and social media to deliver financial as well as death threats.

They say that news is something that someone, somewhere, wants kept quiet. Cam Slater doesn’t do quiet and, as a result, he is a polarising, controversial but highly effective journalist who takes no prisoners.

He is fearless in his pursuit of a story.

Love him or loathe him, you can’t ignore him.

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