Still no joy from John Campbell’s show in the Edwards household

My good friend and luncheon sausage aficionado, Brian Edwards, still hasn’t found any joy from John Campbell’s latest project.

Tossed and turned during the night.

Couldn’t sleep. A bad conscience will do that to you. Had I been too harsh on What Next? What would I say to John Campbell if I bumped into him at RNZ when Michelle and I were on The Panel? Not a violent man, thank heavens. Probably shake my hand and say, “No hard feelings, Brian.” But that would just make it even worse.

Trouble is I’d watched last night’s show and found no compelling reason to change my opinion. And there are still three episodes to go!

So here’s a more temperate analysis of what I see as the programme’s flaws.

*No contrary opinion is expressed anywhere on the show. On the core issues which the show addresses all the studio guests and all the people in the video clips are in fundamental agreement.

*This does not make for riveting viewing. On the contrary, the worthiness which the programme conveys is likely to turn viewers off.

*More importantly, it may invite the suspicion that this is a programme generally reflecting the views of the Liberal Left – people like me!

*New Zealand On Air funded the series to the tune of $1,219,288. That’s not excessive for a five-part series but it ought at least to buy decent pictures and high quality sound, not Stygian gloom and muddy audio. [Irony Warning!!!] Maybe that’s only in Ponsonby/Herne Bay of course.

Perhaps Brian should take a trip to the Pt Chev butcher and find solace in some fine luncheon sausage.

If a cloth cap socialist like Brian Edwards can’t find anything good about the show then there isn’t anything good about the show.

Oh well looks like another sleepless night for Brian.

 

-Brian Edwards


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As much at home writing editorials as being the subject of them, Cam has won awards, including the Canon Media Award for his work on the Len Brown/Bevan Chuang story. When he’s not creating the news, he tends to be in it, with protagonists using the courts, media and social media to deliver financial as well as death threats.

They say that news is something that someone, somewhere, wants kept quiet. Cam Slater doesn’t do quiet and, as a result, he is a polarising, controversial but highly effective journalist who takes no prisoners.

He is fearless in his pursuit of a story.

Love him or loathe him, you can’t ignore him.

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