Photo of the Day

Arbuckle reading La Vie Parisienne, c. 1920. Roscoe Conkling “Fatty” Arbuckle (March 24, 1887 – June 29, 1933).

The Destruction of Fatty Arbuckle

In the early heyday of Hollywood, Roscoe Conkling “Fatty” Arbuckle was one of Tinseltown’s favourite comedians. A large man, his stature helped to rocket him to success as he used it in his physical comedy. By 1921, Arbuckle signed a one million dollar contract with Paramount, the largest of its kind at the time.

Roscoe “Fatty” Arbuckle wasn’t Hollywood-hot. He didn’t have any high-profile romances, and the gossip magazines never complimented him on his dashing evening wear. But he was one of the best physical comedians of all time, and from 1914 to 1920, he effectively ruled the movie business. He was, and remains, a marvel to behold. Here was a man who, despite his mass, seemed to float across the screen, and whose comedy had deftness and grace.

But “Fatty” was just Arbuckle’s picture personality, the name given to his various characters in their endlessly hilarious approaches to “hayseed visits big city; hjinks ensue.” Off-screen, he refused to answer to the name, making explicit the distinction between textual and extra-textual persona that studio publicity worked so hard to obviate. Yet it was this off-screen persona that would eventually lead to his demise, when an alcohol-soaked weekend led to the most dramatic fall from grace in Hollywood history. This guy was ruined. On the surface, Arbuckle’s actions were the scandal. But as the details surrounding the event and its handling have come to light, it’s become clear that the true scandal was the willingness with which the studio heads and the media threw the prominent star under the figurative bus.

Roscoe ‘Fatty’ Arbuckle was acquitted in murder of actress Virginia Rappe. (NEW YORK DAILY NEWS)

Arbuckle was a highly successful silent film era actor. He was renowned for his impressive comedic talent and singing abilities, as well as his incredible size. In his era, the early 20th century, a man of Arbuckle’s size was not common at all. He attracted all sorts of attention, often negative, for his body mass. Still, he was known to be an extremely kind man, soft spoken and very much a gentleman. Despite his addiction to morphine and alcohol, he was happily married to a woman he met a few years before his talent was put on display by the burgeoning Hollywood theatrical scene. Despite his popularity, kind-hearted nature and impressive wealth, he fell victim to a tragic accusation: rape.

Arkbuckle had just signed an unbelievable contract for unprecedented amount of money, and he and two of his friends decided to travel north to throw a soiree to celebrate Arbuckle’s absolute stardom.

On September 5, 1921, Arbuckle took a break from his hectic film schedule and, despite suffering from second-degree burns to both buttocks from an accident on set, drove to San Francisco with two friends, Lowell Sherman and Fred Fishback. The three checked into three rooms at the St. Francis Hotel: 1219 for Arbuckle and Fishback to share, 1221 for Sherman, and 1220 designated as a party room.

Over the course of a Labour Day weekend during the early days of the Prohibition Era, Arbuckle and his friends rented three rooms at the St. Francis hotel in downtown San Francisco. They revelry and merriment began early in the day on Labor Day; the ensuing dance party and socializing was fueled by a large stash of banned liquor. The party got started early with young starlets and dashing leading men, day players and questionable chaps from down the way all drinking bathtub hooch and dancing the hoochie-coochie. By three in the afternoon, Fatty excused himself in order to get dressed for sightseeing with friends.

Model Virginia Rappe.

Here’s where the story takes a nasty turn. One of the party guests happened to be a 26-year-old aspiring actress named Virginia Rappe. At this time, Rappe was in his bathroom, in intense distress from alcohol consumption and her personal medical issues, profusely throwing up. Arbuckle helped her to his bed, as he thought she merely had drank too much. He left the room briefly and came back, only to find her writhing body on the floor. Arbuckle, once again, placed her back on the bed. Rappe was an intensely disturbed and unstable individual. She was born to a single mother and, by some accounts, had already had four abortions by the tender age of sixteen. She had fought bouts of venereal disease, had medical conditions that were worsened by her alcoholism and took to claiming men had harmed or wronged her once she was drunk. There are two conflicting stories as to what really happened to Rappe in those rooms. One story belongs to Bambina Maude Delmont. Delmont, a woman known for setting up celebrities in order to blackmail them.

Observing this situation between Arbuckle and Rappe was the manipulative Bambina Delmont. She had a terrible reputation as a serial accuser of misdeeds in order to swindle and blackmail various celebrities in Hollywood. Once she had seen Arbuckle repeatedly leave the room and return the crafty gears in her mind began to turn. Belmont would falsely claim she had to force her way into the room, only to find Rappe nude and bloodied, with Arbuckle’s obese and nude body blocking the door.

In reality, Arbuckle had left to grab a bucket of ice, as to ease the pain she claimed to be emanating from her swollen abdomen. He and some guests began to rub ice on her abdomen and her thighs, trying to calm her insistent cries. Rappe was placed in an ice bath that calmed her nerves and eased her outbursts. Hotel staff was contacted and she taken to a room to rest.

Rappe was examined by the hotel doctor, who concluded her symptoms were mostly caused by intoxication, and gave her morphine to calm her. Rappe was not hospitalized until two days after the incident. She eventually was admitted to a hospital, where she died of a ruptured bladder.

Bambina Maude Delmont

Virginia Rappe suffered from chronic cystitis, a condition that liquor irritated dramatically. Her heavy drinking habits and the poor quality of the era’s bootleg alcohol could leave her in severe physical distress. She developed a reputation for over-imbibing at parties, then drunkenly tearing at her clothes from the resulting physical pain. But by the time of the St. Francis Hotel party, her reproductive health was a greater concern. She had undergone several abortions in the space of a few years, the quality of care she received for such procedures was probably substandard, and she was preparing to undergo another (or, more likely, had recently done so) as a result of being impregnated by her boyfriend, director Henry Lehrman.

At the hospital, Rappe’s companion at the party, Bambina Maude Delmont, told Rappe’s doctor that Arbuckle had raped her friend. The doctor examined Rappe but found no evidence of rape. Rappe died one day after her hospitalization of peritonitis, caused by a ruptured bladder. Delmont then told police that Arbuckle raped Rappe, and the police concluded that the impact Arbuckle’s overweight body had on Rappe eventually caused her bladder to rupture. Rappe’s manager Al Semnacker (at a later press conference) accused Arbuckle of using a piece of ice to simulate sex with her, which led to the injuries. By the time the story was reported in newspapers, the object had evolved into being a Coca-Cola or champagne bottle, instead of a piece of ice. In fact, witnesses testified that Arbuckle rubbed the ice on Rappe’s stomach to ease her abdominal pain. Arbuckle denied any wrongdoing. Delmont later made a statement incriminating him to the police in an attempt to extort money from Arbuckle’s attorneys.

Arbuckle travelled back to Los Angeles, only find out that within a week, his whole life would crumble before his eyes. An ambitious young prosecutor in San Francisco wanted a blockbuster case and saw this situation as his case. His star witness, the aforementioned Belmont, changed her story significantly every time she recounted the incident to authorities. That did not stop him from pursuing Arbuckle legally.

However, what felled Arbuckle was the machinations of William Randolph Hearst, a calculating man who saw the incredible power of the emerging national press. He was the leading proponent of yellow journalism and actively sought to distort stories and situations in order to further his profits and status.

Ad for The Hayseed (1919) with Arbuckle holding his dog Luke.

Arbuckle’s trial was a major media event; exaggerated and sensationalized stories ran in William Randolph Hearst’s nationwide newspaper chain. The story was fueled with the newspapers portraying him as a gross lecher who used his weight to overpower innocent girls. In reality, Arbuckle was a good-natured man who was so shy with women that he was regarded by those who knew him as: “the most chaste man in pictures”. Hearst was gratified by the profits he accrued during the Arbuckle scandal, and later said that it had “sold more newspapers than any event since the sinking of the Lusitania.”

He published incredibly sensationalistic fare that painted Arbuckle was a serial abuser of Rappe, having not just ruptured her bladder through his great weight that crushed her body, but also assaulted her with a Coke bottle. Hearst played off America’s distrust of Hollywood’s sexual freedom and rampant abuse of substances. Further, he painted the obese Arbuckle as a rank glutton, even though Arbuckle had been overweight since childhood – suggesting biological reasons for his weight.

The prosecutor, San Francisco District Attorney Matthew Brady, an intensely ambitious man who planned to run for governor, made public pronouncements of Arbuckle’s guilt and pressured witnesses to make false statements. Brady at first used Delmont as his star witness during the indictment hearing. The defense had also obtained a letter from Delmont admitting to a plan to extort payment from Arbuckle. In view of Delmont’s constantly changing story, her testimony would have ended any chance of going to trial. Ultimately, the judge found no evidence of rape. After hearing testimony from one of the party guests, Zey Prevon, that Rappe told her “Roscoe hurt me” on her deathbed, the judge decided that Arbuckle could be charged with first-degree murder. Brady had originally planned to seek the death penalty. The charge was later reduced to manslaughter.

Fatty Arbuckle.

On September 17, 1921, Arbuckle was arrested and arraigned on the charges of manslaughter, but arranged bail after nearly three weeks in jail. The trial began November 14, 1921, in the city courthouse in San Francisco. Arbuckle’s defense lawyer was Gavin McNab, a professional and competent local attorney that Arbuckle hired as his lead defense counsel. The principal witness was Ms. Zey Prevon, a guest at the party. At the beginning of the trial Arbuckle told his already-estranged wife, Minta Durfee, that he did not harm Rappe; she believed him and appeared regularly in the courtroom to support him. Public feeling was so negative that she was later shot at while entering the courthouse.

Brady’s first witnesses during the trial included Betty Campbell, a model, who attended the September 5 party and testified that she saw Arbuckle with a smile on his face hours after the alleged rape occurred; Grace Hultson, a local hospital nurse who testified it was very likely that Arbuckle raped Rappe and bruised her body in the process; and Dr. Edward Heinrich, a local criminologist who claimed he found Arbuckle’s fingerprints smeared with Rappe’s blood on room 1219’s bathroom door. Dr. Arthur Beardslee, the hotel doctor who had examined Rappe, testified that an external force seemed to have damaged the bladder. During cross-examination, Betty Campbell, however, revealed that Brady threatened to charge her with perjury if she did not testify against Arbuckle. Dr. Heinrich’s claim to have found fingerprints was cast into doubt after McNab produced the St. Francis hotel maid, who testified that she had cleaned the room before the investigation even took place and did not find any blood on the bathroom door. Dr. Beardslee admitted that Rappe had never mentioned being assaulted while he was treating her. McNab was furthermore able to get Nurse Hultson to admit that the rupture of Rappe’s bladder could very well have been a result of cancer, and that the bruises on her body could also have been a result of the heavy jewellry she was wearing that evening. During the defense stage of the trial, McNab called various pathology experts who testified that although Rappe’s bladder had ruptured, there was evidence of chronic inflammation and no evidence of any pathological changes preceding the rupture; in other words, there was no external cause for the rupture.

On November 28, Arbuckle testified as the defense’s final witness. Arbuckle was simple, direct, and unflustered in both direct and cross examination. In his testimony, Arbuckle claimed that Rappe (whom he testified that he had known for five or six years) came into the party room 1220 around noon that day, and that some time afterward Mae Taub asked him for a ride into town, so he went to his room 1219 to change his clothes and discovered Rappe in the bathroom vomiting in the toilet. Arbuckle then claimed Rappe told him she felt ill and asked to lie down, and that he carried her into the bedroom and asked a few of the party guests to help treat her. When Arbuckle and a few of the guests re-entered the room, they found Rappe on the floor near the bed tearing at her clothing and going into violent convulsions. To calm Rappe down, they placed her in a bathtub of cool water. Arbuckle and Fischbach then took her to room 1227 and called the hotel manager and doctor. After the doctor declared that Rappe was just drunk, Arbuckle then drove Taub to town.

Arbuckle at the first trial.

During the whole trial, the prosecution presented medical descriptions of Rappe’s bladder as evidence that she had an illness. In his testimony, Arbuckle denied he had any knowledge of Rappe’s illness. During cross-examination, Assistant District Attorney Leo Friedman aggressively grilled Arbuckle that he refused to call a doctor when he found Rappe sick, and argued that he refused to do so because he knew of Rappe’s illness and saw a perfect opportunity to rape and kill her. Arbuckle calmly maintained that he never physically hurt or sexually assaulted Rappe in any way during the September 5 party, and he also claimed that he never made any inappropriate sexual advances against any woman in his life. After over two weeks of testimony with 60 prosecution and defense witnesses, including 18 doctors who testified about Rappe’s illness, the defense rested. On December 4, 1921, the jury returned five days later deadlocked after nearly 44 hours of deliberation with a 10–2 not guilty verdict, and a mistrial was declared.

Arbuckle’s attorneys later concentrated their attention on one woman named Helen Hubbard who had told jurors that she would vote guilty “until hell freezes over”. She refused to look at the exhibits or read the trial transcripts, having made up her mind in the courtroom. Hubbard’s husband was a lawyer who did business with the D.A.’s office, and expressed surprise that she was not challenged when selected for the jury pool. While much attention was paid to Hubbard after the trial, some other jury members felt Arbuckle was guilty but not beyond a reasonable doubt, and various jurors joined Hubbard in voting to convict, including – repeatedly at the end – Thomas Kilkenny. Arbuckle researcher Joan Myers describes the political climate and the media attention to the presence of women on juries (which had only been legal for four years at the time), and how Arbuckle’s defense immediately singled out Hubbard as a villain; Myers also records Hubbard’s account of the jury foreman August Fritze’s attempts to bully her into changing her vote. While Hubbard offered explanations on her vote whenever challenged, Kilkenny remained silent and quickly faded from the media spotlight after the trial ended.

Out West, A satire on contemporary westerns, starring Roscoe “Fatty” Arbuckle, Buster Keaton, and Al St. John.

The second trial began January 11, 1922, with a new jury, but with the same legal defense and prosecution as well as the same presiding judge. The same evidence was presented, but this time one of the witnesses, Zey Prevon, testified that Brady had forced her to lie. Another witness who testified during the first trial, a former security guard named Jesse Norgard, who worked at Culver Studios where Arbuckle worked, testified that Arbuckle had once shown up at the studio and offered him a cash bribe in exchange for the key to Rappe’s dressing room. The comedian supposedly said he wanted it to play a joke on the actress. Norgard said he refused to give him the key.

During cross-examination, Norgard’s testimony was called into question when he was revealed to be an ex-convict who was currently charged with sexually assaulting an eight-year-old girl, and who was also looking for a sentence reduction from Brady in exchange for his testimony. Further, in contrast to the first trial, Rappe’s history of promiscuity and heavy drinking was detailed. The second trial also discredited some major evidence such as the identification of Arbuckle’s fingerprints on the hotel bedroom door: Heinrich took back his earlier testimony from the first trial and testified that the fingerprint evidence was likely faked. The defense was so convinced of an acquittal that Arbuckle was not called to testify. Arbuckle’s lawyer, McNab, made no closing argument to the jury. However, some jurors interpreted the refusal to let Arbuckle testify as a sign of guilt. After over 40 hours of deliberation, the jury returned February 3, deadlocked with a 10–2 guilty verdict, resulting in another mistrial.

Fatty Arbuckle and Buster Keaton in a scene from the 1918 film “Bellboy.”

By the time of the third trial, Arbuckle’s films had been banned, and newspapers had been filled for the past seven months with stories of alleged Hollywood orgies, murder, and sexual perversion. Delmont was touring the country giving one-woman shows as “The woman who signed the murder charge against Arbuckle,” and lecturing on the evils of Hollywood.

The third trial began March 13, 1922, and this time the defense took no chances. McNab took an aggressive defense, completely tearing apart the prosecution’s case with long and aggressive examination and cross-examination of each witness. McNab also managed to get in still more evidence about Virginia Rappe’s lurid past and medical history. Another hole in the prosecution’s case was opened because Zey Prevon, a key witness, was out of the country after fleeing police custody and unable to testify. As in the first trial, Arbuckle testified as the final witness and again maintained his denials in his heartfelt testimony about his version of the events at the hotel party.

During closing statements, McNab reviewed how flawed the case was against Arbuckle from the very start and how District Attorney Brady fell for the outlandish charges of Maude Delmont, whom McNab described as “the complaining witness who never witnessed”. The jury began deliberations April 12, and took only six minutes to return with a unanimous not guilty verdict—five of those minutes were spent writing a formal statement of apology to Arbuckle for putting him through the ordeal; a dramatic move in American justice. The jury statement as read by the jury foreman stated:

Acquittal is not enough for Roscoe Arbuckle. We feel that a great injustice has been done him. We feel also that it was only our plain duty to give him this exoneration, under the evidence, for there was not the slightest proof adduced to connect him in any way with the commission of a crime. He was manly throughout the case and told a straightforward story on the witness stand, which we all believed. The happening at the hotel was an unfortunate affair for which Arbuckle, so the evidence shows, was in no way responsible. We wish him success and hope that the American people will take the judgment of fourteen men and woman who have sat listening for thirty-one days to evidence, that Roscoe Arbuckle is entirely innocent and free from all blame.

After the reading of the apology statement, the jury foreman personally handed the statement to Arbuckle who kept it as a treasured memento for the rest of his life. Then, one by one, the entire 12-person jury plus the two jury alternates walked up to Arbuckle’s defense table where they shook his hand and/or embraced and personally apologized to him. The entire jury even proudly posed in a photo op with Arbuckle for photographers after the verdict and apology.

Some experts later concluded that Rappe’s bladder might also have ruptured as a result of an abortion she might have had a short time before the September 5 party. Rappe’s organs had been destroyed and it was now impossible to test for pregnancy. Because alcohol was consumed at the party, Arbuckle was forced to plead guilty to one count of violating the Volstead Act, and had to pay a $500 fine. At the time of his acquittal, Arbuckle owed over $700,000 (equivalent to approximately $10,000,000 in 2016 dollars) in legal fees to his attorneys for the three criminal trials, and he was forced to sell his house and all of his cars to pay some of the debt.

Although he had been cleared of all criminal charges, the scandal and trials had greatly damaged his popularity among the general public, and Will H. Hays, who served as the head of the newly formed Motion Pictures Producers and Distributors of America (MPPDA) Hollywood censor board, cited Arbuckle as an example of the poor morals in Hollywood. On April 18, 1922, six days after Arbuckle’s acquittal, Hays banned Roscoe Arbuckle from ever working in U.S. movies again. He had also requested that all showings and bookings of Arbuckle films be cancelled, and exhibitors complied. In December of the same year, under public pressure, Hays elected to lift the ban, but Arbuckle was still unable to secure work as an actor. Most exhibitors still declined to show Arbuckle’s films, several of which now have no copies known to have survived intact. One of Arbuckle’s feature-length films known to survive is Leap Year, which Paramount declined to release in the United States due to the scandal. It was eventually released in Europe. With Arbuckle’s films now banned, in March 1922, Buster Keaton signed an agreement to give Arbuckle 35 percent of all future profits from his company, Buster Keaton Productions, to ease his financial situation.

News story of the six-minute not guilty verdict, 1922.

The resulting scandal destroyed Arbuckle’s career and his personal life. Morality groups called for Arbuckle to be sentenced to death, while studio executives ordered Arbuckle’s industry friends and fellow actors (whose careers they controlled) not to publicly speak up for him. Charlie Chaplin, who was in Britain at the time, told reporters that he could not (and would not) believe Roscoe Arbuckle had anything to do with Virginia Rappe’s death; having known Arbuckle since they both worked at Keystone in 1914, Chaplin “knew Roscoe to be a genial, easy-going type who would not harm a fly.” Buster Keaton reportedly did make one public statement in support of Arbuckle’s innocence which earned him a mild reprimand from the studio where he worked. Film actor William S. Hart, who had never met or worked with Arbuckle, made a number of damaging public statements in which he presumed that Arbuckle was guilty. Arbuckle later wrote a premise for a film parodying Hart as a thief, bully, and wife beater, which Keaton purchased from him. The following year in 1922, Keaton co-wrote, directed and starred in The Frozen North, the resulting film, and as a result, Hart refused to speak to Keaton for many years.

In the aftermath, he was temporarily banned from Hollywood and had his movies banned as well. He was allowed to return and began to do work under a pseudonym, Will B. Good. Little came of this so he took to abusing alcohol and morphine to ease his anguish. In the summer of 1933, right after signing a new contract to do a new movie, he died of a heart attack in his sleep at age 46.

In the aftermath of this debacle, it is universally recognized that Arbuckle was innocent of the rape accusation. As usual in America, a dogmatic and hateful witch-hunt — usually fuelled by the media — results in innocent people having their lives completely ruined, only to have people posthumously issue apologies for their inability to rationally approach accusations of crimes and misdeeds. America, starting with the Salem Witch Trials, has a long and off-putting history of abusing the criminal justice system in order to slake America’s thirst for moral judgmentalism. However, what is most salient about the Arbuckle situation was the role the media played.

Hearst was a master of misleading headlines, manipulating facts to fit a prefabricated narrative and pitting underdogs against allegedly far more powerful forces. In his greedy and self-absorbed pursuit of control of media, Hearst created a false god of sorts, as he helped establish that the media is the decider of what is or is not a significant story, what the issues to be debated are, the character of the people they report, etc. He established that the media is the ultimate authority in America. His completely negative portrayal of Arbuckle did not just reaffirm the image conservative society held of Hollywood, but inadvertently created the media Leviathan that we have today.

People never complain when the media reports stories in a way that affirms their ideology or sympathies, they don’t speak out when a story is clearly slanted in a way that dishonestly represents an issue they agree with. People only complain when figures in media represent an issue in a way that conflicts with their ideology or sympathies.

Roscoe (Fatty) Arbuckle was just a man in the wrong place at the wrong time. His place amongst the stars was aborted by the despicable machinations of a woman possessed with the desire to rip apart men who were more successful than she was. On that fateful day in a San Franciscan hotel, Belmont found a perfect target in Arbuckle — a fat, emerging star of the suspiciously viewed Hollywood who was too kind and nice for his own good. He was just an object, a cog in the games of the self-possessed people around him: Belmont who wanted to sow the seeds of discord, the prosecutor who desired the Californian governorship and William Randolph Hearst who desired to both discredit Hollywood and maximize his profits.

After the trials, Hollywood shunned Arbuckle, and he could no longer find work. A secondary effect, for archive history, was the determined destruction of copies of films starring Arbuckle. In November 1923, Minta Durfee filed for divorce, charging grounds of desertion.The divorce was granted the following January. They had been separated since 1921, though Durfee always claimed he was the nicest man in the world and that they were still friends. After a brief reconciliation, Durfee again filed for divorce, this time while in Paris, in December 1924. Arbuckle married Doris Deane on May 16, 1925.

Arbuckle tried returning to filmmaking, but industry resistance to distributing his pictures continued to linger after his acquittal. He retreated into alcoholism. In the words of his first wife, “Roscoe only seemed to find solace and comfort in a bottle”.

Eventually, Arbuckle’s life was lost to the depressing vices of alcohol and painkillers, but his demise portends greater lessons for America. As Hearst proved, the media Leviathan he helped created wasn’t interested in the pursuit of truth and knowledge, but profits based out of preying on America’s collective social psychology. This Leviathan exists to this day, pretending to provide objective news while shunting said news through the idea that the media is the decider of truth in society.

Whether truth or rationality was the goal of American media at any point is irrelevant because of what America media has become — a massive authoritarian project aimed at maximizing profits through recruiting loyal followers that suborn their own thoughts and interpretations of situations, events and people through the lens of the preferred media provider. The great sleight of hand is media allowing people enough space to believe they are thinking for themselves or coming to realizations when in fact it is spoon-fed to them by media.

Was the information that exonerated Arbuckle readily available to the consumers of media? No. He was treated as guilty from the outset and Hearst actively suppressed any information or evidence that contradicted his narrative that Arbuckle was nothing more than an obese rapist that killed his victim through his weight. Hearst’s supreme desire to control the narrative far outweighed the reporting of facts over interpretations. People thought they were realizing that Arbuckle was a gluttonous rapist – they were told that in a fashion that made them think it was a judgment they made, not made for them.

Today, Fatty Arbuckle’s films are mostly forgotten. When people do think of him, the horrific image of a fat man crushing a girl during a rape is usually what springs to mind. He died in his sleep of a heart attack in 1933 at age 46, reportedly on the same day he signed a contract with Warner Brothers to make a feature film. Decades after his death, three of his comedic descendants — John Belushi, John Candy, and Chris Farley — had considered playing the silent screen pioneer. But all died before they could make the movie to set the record straight.

Roscoe ‘Fatty’ Arbuckle – Biography – IMDb

Silent-film star arrested for murder – Sep 11, 1921 – HISTORY.com

Roscoe Conkling ‘Fatty’ Arbuckle – The Robinson Library

Virginia Rappe – Wikipedia

‘Fatty’ Arbuckle and Hollywood’s first scandal – BBC News – BBC.com

Hollywood’s first sex scandal but not its last: the trial of comic Fatty …

Roscoe ‘Fatty’ Arbuckle never overcame murder scandal – NY Daily …

Fatty Arbuckle-Virginia Rappe Trial: Q&A with Researcher Joan Myers

Fatty Arbuckle and Virginia Rappe « The Bioscope

Roscoe Arbuckle: The Labor Day Party

The Skinny on the Fatty Arbuckle Trial | History | Smithsonian

Roscoe Arbuckle – Wikipedia

Silent film star Fatty Arbuckle indicted: archive, 15 September 1921 …

Scandals of Classic Hollywood: The Destruction of Fatty Arbuckle …

Roscoe “Fatty” Arbuckle – Hollywood Star Walk – Los Angeles Times

The Trial of Fatty Arbuckle – Ralph

The Fatty Arbuckle Scandal – Neatorama

The Fatty Arbuckle Scandal, 1920 – Crimes of the Century – TIME


Do you want:

  • Ad-free access?
  • Access to our very popular daily crossword?
  • Access to Incite Politics magazine articles?
  • Access to Podcasts?
  • Access to Political Polls?

Our subscribers’ financial support is the reason why we have been able to offer our latest service; Audio blogs. 

Click Here  to support us and watch the number of services grow.

39%